{"id":8,"date":"2017-08-02T19:11:32","date_gmt":"2017-08-02T19:11:32","guid":{"rendered":"https:\/\/jptw.asian.lsa.umich.edu\/?page_id=8"},"modified":"2017-08-02T19:11:32","modified_gmt":"2017-08-02T19:11:32","slug":"syllabus","status":"publish","type":"page","link":"https:\/\/courses.lsa.umich.edu\/jptw\/syllabus\/","title":{"rendered":"Readings"},"content":{"rendered":"

JapanesePerformanceTheoryWorkshopSyllabus(2017)<\/a><\/strong>
\n 
\nMONDAY<\/strong><\/p>\n

\n
\n
\nFuss-TeachingTheory<\/a>
\nChristian-TheRaceforTheory<\/a>
\nMiyoshiHarootunian-LearningPlaces-Intro&TOC<\/a>\n<\/div>\n

SJackson-ProfessingPerf-Chap1<\/a>\n<\/div>\n

Austin-HowtodoThingsWithWords(excerpts)<\/a>
\nPhelan-Unmarked-OntologyofPerformance&Afterword<\/a>\n<\/div>\n

Taylor-TheArchiveandtheReportoire-Chap1ActsofTransfer<\/a>
\nPerformanceStudiesReader(pp1-50)<\/a>
\nDerrida-Butler-PlusAlpha<\/a>
\nFoucault-NietzscheGenealogyHistory<\/a>
\nSuzukiTadashi-CultureIsTheBody<\/a>
\nYodaandHarootunian-JapanAfterJapan-Introduction<\/a>
\nYoda-ARoadmaptoMillennialJapan<\/a>
\nBarthes-WorldofWrestling<\/a>
\n 
\nTUESDAY<\/strong><\/p>\n

\n
\n
\nTsubouchi-The Essence of the Novel<\/a>
\nTakeuchi-WahtisModernity?-Chap2(WIM?-TheCaseofJapanandChina)<\/a>
\nMaeda(Fujii-ed)-TextandthCity-Intro+Chap7-CommunalPerformancetoSolitaryReading<\/a>\n<\/div>\n<\/div>\n<\/div>\n

Poulton-ABeggarsArt-Preface-MeijiDramaTheoryBeforeIbsen<\/a>
\nKamei-TransformationsofSensibility-Intro+Chap7(Shinj\u00fbasMisdeed)<\/a>
\nBourdaghs-TheLinguisticTurn-OverthrowingtheEmperorinJapaneseLiteraryStudies<\/a>
\nFujitani-SplendidMonarchy-Overview+FabricatingImperialCeremonies<\/a>
\nKano-ActingLikeaWomanChaps1&2<\/a>
\nBarthes-ImageMusicText<\/a>
\nYano-TearsofLongingChapters<\/a>
\nYano-TearsofLonging(Notes)<\/a>
\nBarthes-FromWorktoText(withRJacksonNotes)<\/a>
\nBarthes-EmpireofSigns<\/a><\/p>\n

\n
\n
\nBarthes-OnBunraku<\/a>
\nSontag-ANoteonBunraku<\/a>
\nEubanks-MiraclesofBookandBody-Intro Chap2(LocatingSetsuwainPerformance) Notes<\/a>
\nRJackson-DyinginTwoDimensions-Mechademia7-LinesofSight(2012)<\/a>
\nZwicker-KabukiandtheCartographicImagination<\/a>
\n 
\nWEDNESDAY<\/strong>
\nHare-ZeamisStyle(DocumentaryBiography)<\/a>\n<\/div>\n

Hare-ZeamiPerformanceNotes(part1)<\/a><\/p>\n

\nNoh-Aoinoue<\/a>
\nJinenKoji(Tyler-PiningWindtranslation)<\/a>
\nMarra-RepresentationsofPowerpp70-82<\/a>
\nBethe-TakabayashiOkinaInterview<\/a>
\nRath-MythofOkina<\/a>
\nPreston-LearningtoKneel(Preface+IntrotoNohLessons)<\/a>
\nPandey-PerfumedSleevesandTangledHair-Introduction+Notes<\/a>
\nKristeva-PowersofHorror<\/a>
\nGrosz-RefiguringBodies(VolatileBodies-Chap1)<\/a>
\nBethe-UsesofCostumesinNohDrama<\/a>
\nLooser-VisioningEternity-Chap4(Times&VisionsoftheInstant)<\/a>
\nShively-BakufuVersusKabuki<\/a>
\nIsaka-Manners_and_Mischief_Gender_Power_and_Etiquette_in_Japan_1_<\/a>\n<\/div>\n<\/div>\n<\/div>\n

Surak-MakingTeaMakingJapan-Intro+Chap4(EnactingTea)<\/a>
\n <\/p>\n

\n
\n
\nTHURSDAY<\/strong><\/p>\n
\n
\n
\nAhmed-QueerPhenomenology-IntroandConclusion<\/a>
\nLepecki-ExhaustingDance-Introduction<\/a>
\nLubinLevySchvarts-Living Labor Marxism and Performance Studies<\/a>
\nMunoz-Disidentifications-Intro<\/a>
\nJE-Munoz-Gesture<\/a>
\nYasuko Yokoshi in conversation with Tere O’Connor | Movement Research<\/a>\n<\/div>\n<\/div>\n<\/div>\n

Beth Gill in conversation with Yasuko Yokoshi | Movement Research<\/a>
\nRJackson-Suspensions-SomeThoughtsonYasukoYokoshisRecentWork<\/a>
\nCandelario-FlowersCrackingConcrete-Introduction+Chap1FromUtterDarknesstoWhiteDance<\/a>
\nCandelario-FlowersCrackingConcrete-Chap3JapaneseAmerican<\/a>
\n \n<\/div>\n<\/div>\n<\/div>\n

FRIDAY<\/strong>
\nReadings-UniversityinRuins(chaps1-3)<\/a>
\nMiyoshi-TheUniversityandtheGlobalEconomy(inJapanAfterJapan)<\/a>
\nMiyoshi-IvoryTowerinEscrow<\/a>
\nYoneyama-HiroshimaTraces-Chap4MnemonicDetours<\/a>
\nThornbury-America’sJapanandJapan’sPerformingArts<\/a>
\nHahn-SensationalKnowledge-Preface+Chaps1&2<\/a><\/p>\n

<\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

JapanesePerformanceTheoryWorkshopSyllabus(2017)   MONDAY Fuss-TeachingTheory Christian-TheRaceforTheory MiyoshiHarootunian-LearningPlaces-Intro&TOC SJackson-ProfessingPerf-Chap1 Austin-HowtodoThingsWithWords(excerpts) Phelan-Unmarked-OntologyofPerformance&Afterword Taylor-TheArchiveandtheReportoire-Chap1ActsofTransfer PerformanceStudiesReader(pp1-50) Derrida-Butler-PlusAlpha Foucault-NietzscheGenealogyHistory SuzukiTadashi-CultureIsTheBody YodaandHarootunian-JapanAfterJapan-Introduction Yoda-ARoadmaptoMillennialJapan Barthes-WorldofWrestling   TUESDAY Tsubouchi-The Essence of the Novel Takeuchi-WahtisModernity?-Chap2(WIM?-TheCaseofJapanandChina) Maeda(Fujii-ed)-TextandthCity-Intro+Chap7-CommunalPerformancetoSolitaryReading Poulton-ABeggarsArt-Preface-MeijiDramaTheoryBeforeIbsen Kamei-TransformationsofSensibility-Intro+Chap7(Shinj\u00fbasMisdeed) Bourdaghs-TheLinguisticTurn-OverthrowingtheEmperorinJapaneseLiteraryStudies Fujitani-SplendidMonarchy-Overview+FabricatingImperialCeremonies Kano-ActingLikeaWomanChaps1&2 Barthes-ImageMusicText Yano-TearsofLongingChapters Yano-TearsofLonging(Notes) Barthes-FromWorktoText(withRJacksonNotes) Barthes-EmpireofSigns Barthes-OnBunraku Sontag-ANoteonBunraku Eubanks-MiraclesofBookandBody-Intro Chap2(LocatingSetsuwainPerformance) Notes RJackson-DyinginTwoDimensions-Mechademia7-LinesofSight(2012) Zwicker-KabukiandtheCartographicImagination   WEDNESDAY Hare-ZeamisStyle(DocumentaryBiography) Hare-ZeamiPerformanceNotes(part1) Noh-Aoinoue JinenKoji(Tyler-PiningWindtranslation) Marra-RepresentationsofPowerpp70-82 Bethe-TakabayashiOkinaInterview Rath-MythofOkina Preston-LearningtoKneel(Preface+IntrotoNohLessons) Pandey-PerfumedSleevesandTangledHair-Introduction+Notes Kristeva-PowersofHorror … <\/p>\n

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