{"id":19,"date":"2015-10-27T18:45:28","date_gmt":"2015-10-27T18:45:28","guid":{"rendered":"https:\/\/smilingmadamebeudet.sac.lsa.umich.edu\/?page_id=19"},"modified":"2015-10-27T18:45:28","modified_gmt":"2015-10-27T18:45:28","slug":"performers-and-performances","status":"publish","type":"page","link":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/performers-and-performances\/","title":{"rendered":"Performers and Performances"},"content":{"rendered":"<p><a href=\"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-content\/uploads\/sites\/29\/2015\/10\/Screen-Shot-2015-12-03-at-10.43.03-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-267 size-medium\" src=\"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-content\/uploads\/sites\/29\/2015\/10\/Screen-Shot-2015-12-03-at-10.43.03-AM-300x198.png\" alt=\"\" width=\"300\" height=\"198\" srcset=\"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-content\/uploads\/sites\/29\/2015\/10\/Screen-Shot-2015-12-03-at-10.43.03-AM-300x198.png 300w, https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-content\/uploads\/sites\/29\/2015\/10\/Screen-Shot-2015-12-03-at-10.43.03-AM-768x508.png 768w, https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-content\/uploads\/sites\/29\/2015\/10\/Screen-Shot-2015-12-03-at-10.43.03-AM-1024x677.png 1024w, https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-content\/uploads\/sites\/29\/2015\/10\/Screen-Shot-2015-12-03-at-10.43.03-AM.png 1041w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/smilingmadamebeudet.sac.lsa.umich.edu\/?page_id=149&amp;preview=true\">Shir Avinadav\u00a0<\/a><\/p>\n<p>Max Fields<\/p>\n<p><a href=\"https:\/\/smilingmadamebeudet.sac.lsa.umich.edu\/wp-admin\/post.php?post=202&amp;action=edit\">The Director&#8217;s Vision and Casting<\/a> &#8211; Dylan Hancook<\/p>\n<p><a href=\"https:\/\/smilingmadamebeudet.sac.lsa.umich.edu\/performers-and-performances\/context-performance-in-1920s-film\/?preview=true&amp;preview_id=515&amp;preview_nonce=3b55ff1965\">Context: Performance in 1920s Film<\/a>\u00a0&#8211; Annabel Robinson<\/p>\n<p><a href=\"https:\/\/smilingmadamebeudet.sac.lsa.umich.edu\/?p=762\">Acting Styles<\/a> &#8211; Willy Su<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shir Avinadav\u00a0 Max Fields The Director&#8217;s Vision and Casting &#8211; Dylan Hancook Context: Performance in 1920s Film\u00a0&#8211; Annabel Robinson Acting Styles &#8211; Willy Su<\/p>\n","protected":false},"author":347,"featured_media":72,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-19","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/users\/347"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":0,"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/media\/72"}],"wp:attachment":[{"href":"https:\/\/courses.lsa.umich.edu\/smilingmadamebeudet\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}