Skip to content
lsa logo

SMILING MADAME BEUDET

Screen Arts & Cultures 272 . University of Michigan

  • Home
  • THE SMILING MADAME BEUDET
  • Feminism & Gender Roles
    • Life of Germaine Dulac
      • Sources, Life of Germaine Dulac
    • Women in France During the 1920s
      • Women With(out) Children
      • Changes to the Female Role
      • Sources, Women in France
    • Femininity & Masculinity
  • Music & The Other Arts
    • Poetry
    • Music
    • Countryside and Paris
    • French Impressionism in Art
    • Works Cited
  • French Consumer Culture of the 1920s
    • A New Mindset of Joy Following the War
    • Beudet: Dulac’s Screen Persona
    • Changing Magazine Content
    • Emerging Consumer Economy
    • French Beauty Culture
    • French Dolls
    • French Fashion
      • Differing Eras of Fashion
      • Runway Fashion Modernism
      • Women’s Hair
    • Magazine Influences on Modernizing Women
    • Theatre Experience for the Wealthy
    • The Martyrs of Early 1900s France
  • Performers and Performances
    • Acting as a vehicle of French Impressionist Style
      • Sources
    • French Impressionism, Cinematography, and Silent Acting Styles
  • Dreams in the Smiling Madame Beudet
    • The Relationship between the Floor Plan and Dream Sequences
    • Escaping through a Daydream
    • Wishful Dreams
    • “Obsession”
  • Stage to Screen

Feminism & Gender Roles

  • Women in France during the 1920s by Elizabeth Smith and Haleigh Bauer
    • Women With(out) Children
    • Changes to the Female Role
    • Sources
  • Life of Germaine Dulac by Catie DeWitt and Anne Rainey
    • Sources
Proudly powered by WordPress
lsa logoum logo
UM Privacy Statement
Accessibility at UM